央视财经频道于2016年3月22日起播出六集大型纪录片《金融危机秘史》，带您走进2008年那一场惊心动魄的美国金融危机的飓风中心，揭秘美国政府的金融风险管理系统与政府的监管体系为何失灵？揭开上一次国际金融危机的肇因迷雾。 　　《金融危机秘史》全景式回溯了2008年美国金融危机的整个历程，以前所未有的客观视角，运用大量当事人采访、照片、视频与法律文件，为我们拨开历史迷雾，洞察金融危机背后的秘密与博弈细节。

央视财经频道于2016年3月22日起播出六集大型纪录片《金融危机秘史》，带您走进2008年那一场惊心动魄的美国金融危机的飓风中心，揭秘美国政府的金融风险管理系统与政府的监管体系为何失灵？揭开上一次国际金融危机的肇因迷雾。 　　《金融危机秘史》全景式回溯了2008年美国金融危机的整个历程，以前所未有的客观视角，运用大量当事人采访、照片、视频与法律文件，为我们拨开历史迷雾，洞察金融危机背后的秘密与博弈细节。

Free markets are not to be blamed for the Great Recession. On the contrary, its origins rest upon the deep government and central bank intervention in the economy. Through fraudulent mechanisms, this causes recurrent boom and bust cycles: bad policies create phases of irrational exuberance, which are then followed by economic recessions, a result that every citizen ends up suffering from.

Free markets are not to be blamed for the Great Recession. On the contrary, its origins rest upon the deep government and central bank intervention in the economy. Through fraudulent mechanisms, this causes recurrent boom and bust cycles: bad policies create phases of irrational exuberance, which are then followed by economic recessions, a result that every citizen ends up suffering from.

Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse. 　　Art curator George Steele (O'Brien) believes he has been in a train crash, but he's told that no such crash has occurred. Is he cracking up, or the victim of something sinister? 　　I'm not trusting anyone this week. 　　Out of RKO, Crack-Up is an above average film noir that is apparently under seen. It thrusts George Steele on a crusade to prove he is not losing his mind and on his way to residency at Bellevue Psychiatric Hospital. As he trawls around the city with a foggy head, his thoughts still remembering his service in WWII, he tosses off sarcastic quips and evades tricky situations with guile and ingenuity. Who can he trust though? If anybody? 　　I'm outta my head. I drive around in cars picking up psychopathic killers. 　　His journey encompasses a number of locations that are expertly born out for noirish purpose. Smokey steam train, dimly lighted station, a ship of many murky corners, the harbour as well, a penny arcade and of course many damp streets at night that are ripe for conversations; both hushed and threatening. With Reis (The Gay Falcon) and De Grasse (The Body Snatcher) using chiaroscuro effects, the atmosphere is suitably eerie, dovetailing perfectly with George's psychologically paranoid funk. 　　About as smart as cutting my throat to get some fresh air! 　　Set to the backdrop of the art world, the narrative has an opinion on art styles and snobbery while wrapping the plot around the crooked line of forgeries. It's not wholly successful for dramatic worth or intrigue, and in fact the visual presentation and very good performances of O'Brien and Trevor deserve a more cohesive story and a motive revelation of the crimes considerably stronger in substance. 　　However, with its technical attributes most positive, some very well constructed scenes (the train crash sequence is excellent) and noir staples in place (amnesia, shady characters, sleuthing for truth et al), Crack-Up is well worth checking out.

For three weeks in September 2008, one person was charged with preventing the collapse of the global economy. No one understood the financial markets better than Hank Paulson, the former CEO of Goldman Sachs. In Hank: Five Years from the Brink, Paulson tells the complete story of how he persuaded banks, Congress and presidential candidates to sign off on nearly $1 trillion in bailouts - even as he found the behavior that led to the crisis, and the bailouts themselves, morally reprehensible. Directed by Academy Award nominee Joe Berlinger (Paradise Lost Trilogy, Some Kind of Monster), the film features Paulson, and his wife of 40 years, Wendy. it's a riveting portrait of leadership under unimaginable pressure - and a marriage under unfathomable circumstances.

For three weeks in September 2008, one person was charged with preventing the collapse of the global economy. No one understood the financial markets better than Hank Paulson, the former CEO of Goldman Sachs. In Hank: Five Years from the Brink, Paulson tells the complete story of how he persuaded banks, Congress and presidential candidates to sign off on nearly $1 trillion in bailouts - even as he found the behavior that led to the crisis, and the bailouts themselves, morally reprehensible. Directed by Academy Award nominee Joe Berlinger (Paradise Lost Trilogy, Some Kind of Monster), the film features Paulson, and his wife of 40 years, Wendy. it's a riveting portrait of leadership under unimaginable pressure - and a marriage under unfathomable circumstances.

Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely station for an unusual course in the wild that is supposed to get them back on their feet. 　　Each step in this boot camp, designed by an eccentric and feisty female coach, aims to reveal them to themselves. The task seems to be a tough one, especially as nothing goes as planned between these men.

女演员佩帕（卡门·莫拉 Carmen Maura 饰）得知自己怀有身孕，但是她的喜悦并未持续多久，因为她的情人伊万（Fernando Guillén 饰）突然失踪。佩帕想尽办法联系伊万，但最终一无所获，这令她歇斯底里，痛苦难耐。而就在这时，伊万的老婆露西娅（Juliet a Serrano 饰）又找上门来大找麻烦。不久，佩帕的好友坎德拉（María Barranco 饰）也因惧怕警察拘捕而寻求避难。一群精神濒临崩溃的女人凑在一起，上演令人唏嘘的悲喜剧…… 　　本片入围1988年威尼斯电影节主竞赛单元，最终获得最佳剧本奖；1988年欧洲电影节最佳青年作品和最佳女演员奖；1988年纽约影评人协会最佳外语片奖；1989年歌雅奖最佳女主角（Carmen Maura）、最佳剪辑、最佳剧本和最佳女配角奖（María Barranco）。

女演员佩帕（卡门·莫拉 Carmen Maura 饰）得知自己怀有身孕，但是她的喜悦并未持续多久，因为她的情人伊万（Fernando Guillén 饰）突然失踪。佩帕想尽办法联系伊万，但最终一无所获，这令她歇斯底里，痛苦难耐。而就在这时，伊万的老婆露西娅（Juliet a Serrano 饰）又找上门来大找麻烦。不久，佩帕的好友坎德拉（María Barranco 饰）也因惧怕警察拘捕而寻求避难。一群精神濒临崩溃的女人凑在一起，上演令人唏嘘的悲喜剧…… 　　本片入围1988年威尼斯电影节主竞赛单元，最终获得最佳剧本奖；1988年欧洲电影节最佳青年作品和最佳女演员奖；1988年纽约影评人协会最佳外语片奖；1989年歌雅奖最佳女主角（Carmen Maura）、最佳剪辑、最佳剧本和最佳女配角奖（María Barranco）。